augusta savage, gamin bronze

augusta savage, gamin bronze

Augusta established herself as a portrait sculptor seeking commission from well-to-do African-American families to produce busts. Augusta Savage’s young nephew Ellis Ford modeled for this sculpture in 1929 while he and his family were living with her in Harlem, taking refuge there after losing their home in Florida in a hurricane. She was a precocious child and began sculpting from nature and making little animals from clay. Keep in touch by subscribing to news and updates from SAAM and Renwick Gallery. In this bust, the artist cleverly captures her subject’s personality. She began sculpting clay figures as a child, but her father, a minister, disapproved of her artistic pursuits, believing them to be sinful. A plaster and bronze patina version of Gamin will soon come to auction with Case Antiques. She mentored countless prominent artists and was an outspoken critic of racism embedded in the artworld. WALTER O. EVANS COLLECTION OF AFRICAN AMERICAN ART Augusta Savage, Portrait Head of John Henry , ca. The balance Gamin strikes between its classical form and the subject's casual demeanor won Savage much praise. She was also a teacher whose studio was important to the careers of a generation of artists who would become nationally known. (9 x 5.7 x 4.4 in.) Augusta Savage, née Augusta Christine Fells le 29 février 1892 à Green Cove Springs en Floride et morte le 26 mars 1962 à New York, est une sculptrice afro-américaine, figure majeure du mouvement de la Renaissance de Harlem. ‘Gamin’ was created in 1929 by Augusta Savage in Realism style. Gamin Augusta Savage (American, 1892-1962) Currently on View in K205.p1 Image Licensing. "My father licked me four or five times a week," Savage later wrote, "and almost whipped all the art out of me." “Gamin” is a bronze bust of a boy in newsboy cap, his eyes directed towards the side, dressed in a collar shirt. Augusta Savage, American, 1892 - 1962 Title: Gamin; Date: ca. Low Resolution. In 1929, a sculpture of her nephew, Gamin won her a Julius Rosenwald Grant, and in 1931, Savage received another Rosenwald Grant. In 1929, Augusta … "Gamin" is a painted plaster piece and "Diving Boy" is a bronze work, both by Augusta Savage, a Green Cove Springs native associated with the … This sculpture is also important because it depicts a Black youth in a humane way, challenging the visual culture of the period that presented African American children as dirty and ragtag. Augusta Savage was one of the most influential artists and educators of the Harlem Renaissance. Signed “Savage” vertically in rectangle on the backside. Augusta Savage, Augusta Savage posing with her sculpture, photographie noir et blanc, 1938 Augusta Savage, The Diving Boy, ca. WALTER O. EVANS COLLECTION OF AFRICAN AMERICAN ART Augusta Savage, Portrait Head of John Henry , ca. Painted plaster, 9 1/2 x 4 x 5 1/2 in. Augusta Savage; Gamin., ca. Augusta Savage defied gender roles and expectations to achieve her goals and improve her community. Augusta Savage, Augusta Savage posing with her sculpture, photographie noir et blanc, 1938 Augusta Savage, The Diving Boy, ca. While the identity of the subject is known, Gamin was conceived as a type rather than a portrait, representing one of the many urchins populating New York streets. Savage's 1929 sculpture Gamin, shows a child in a soft cap and wrinkled shirt. Augusta Savage (born Augusta Christine Fells; February 29, 1892 – March 27, 1962) was an American sculptor associated with the Harlem Renaissance. Sautant parfois à l’école, elle aimait sculpter des animaux et d’autres petites figures. A plaster and bronze patina version of Gamin will soon come to auction with Case Antiques. When the life-size bronze original Gamin was exhibited at the Harlem Branch of the New York Public Library in late 1929, it drew attention and praise from influential members of the New York arts community. Nonetheless, Savage painted the surface a dark color and gave it a shiny finish, making it look like expensive bronze. 1940, patinated plaster. The title of the work is carved on the boy’s chest, and it is signed by the artist on the back. Faisant partie d'une grande famille, elle a commencé à faire de l'art dès son enfance, en utilisant l'argile naturelle trouvée dans sa région. Provenance: gift from the artist; private collection, New Jersey (1940-1941); thence by descent to the current owner, New Jersey. It was during this time that Augusta produced one of her most famous and celebrated works Gamin. Augusta Savage Sculpture, "Gamin" APPRAISAL TRANSCRIPT [Apraised by: Eric Silver, Metalwork; Sculpture, Director, Lillian Nassau, LLC] from PBS's Antique Road Show (June 2002): GUEST: My mother had a friend, Miss Foster, and Miss Foster was 90 and going into a nursing home, and mother said, "She would like you to come over and pick out something from the apartment." 1930: Medium: painted plaster: Dimensions: Overall: 9 1/4 × 4 1/2 × 3 1/2 inches (23.5 × 11.4 × 8.9 cm) Credit Line: Founders Society Purchase with funds from Gilbert and Lila Silverman: Accession Number: 2001.38: Department: African American Art: On View Gamin, 1930 , Bronze 16.75 x 6 x 3.5" Augusta Christine Fells was born in (b. February 29, 1892 - d. March 29, 1962) Green Cove Springs, Florida the seventh child of fourteen children born to Cornelia and Edward Fells. An iconic image of the Harlem Renaissance in sculpture, this strong example of Gamin has … GUEST: My mother had a friend, Miss Foster. Painted plaster, 9 1/2 x 4 x 5 1/2 in. In 1929, a sculpture of her nephew, Gamin won her a Julius Rosenwald Grant, and in 1931, Savage received another Rosenwald Grant. Augusta Savage, Gamin, ca. Ellis is shown with the soft cap commonly worn by newspaper boys and other working youth. Gamin was created early in her career, around 1930, and won her a scholarship to study in Europe.The title Gamin refers to a French word meaning “street urchin, “ leading some scholars to believe the portrait bust represents a homeless boy, while others believe it may be a likeness of Savage’s nephew, Ellis Ford. Faisant partie d'une grande famille, elle a commencé à faire de l'art dès son enfance, en utilisant l'argile naturelle trouvée dans sa région. Provenance: gift from the artist; private collection, New Jersey (1940-1941); thence by descent to the current owner, New Jersey. Born on February 29th, 1892, in Green Cove Springs, Florida, from a young age she taught herself to make figurines of people and animals from clay. Augusta Christine Fells (Moore) Savage (American, 1892-1962) plaster sculpture with bronze patina titled GAMIN along front edge, depicting a young African American male with a tilted cap and wrinkled shirt. AUGUSTA SAVAGE (1892 - 1962) Gamin. (9 x 5.7 x 4.4 in.) Augusta Savage, Gwendolyn Knight, 1934–35 (recast 2001), bronze. GUEST: My mother had a friend, Miss Foster. It was long thought that the image was a generic figure; however, recent research reveals that it depicts her nephew. Augusta Savage (1892–1962) Gamin, c. 1930 Painted plaster, 9¼ x 6 x 4 in. Title: Portrait Head of John Henry Creator: Augusta Christine (Fells) Savage Date Created: 1940 Physical Dimensions: 6 5/8 x 3 1/2 x 4 3/4 in. Born Augusta Christine Fells in Green Cove Springs, Florida, she moved to New York and trained at the Cooper Union School of Art (1921-1924). In 1939 she opened the Salon of Contemporary Negro Art, the first gallery in the United States dedicated specially to exhibiting and selling works by African American artists. “Gamin” earned her a Julius Rosenwald fellowship in 1929 to journey to Paris, which had develop into a refuge for Black artists, together with the painter Palmer Hayden and the sculptor Nancy Elizabeth Prophet. Retrouvez les œuvres d’art en vente et toutes les informations sur Augusta Savage (américain, 1892-1962). Smithsonian American Art Museum and Renwick Gallery, Augusta Savage, Gamin, ca. View artworks for sale by Savage, Augusta Augusta Savage (35, American). “Gamin” is a bronze bust of a boy in newsboy cap, his eyes directed towards the side, dressed in a collar shirt. Signed “Savage” vertically in rectangle on the backside. Augusta Savage, Gwendolyn Knight, 1934–35 (recast 2001), bronze. Gamin, which is part of the Cummer Museum of Arts & Gardens’ permanent collection, was a pivotal piece in Augusta Savage’s career. . Contact, Nondiscrimination/Title IX Federal and State Notice Requirements. Read Appraisal Transcript . Related Text; Provenance; Curatorial Summary . The Smithsonian American Art Museum and its Renwick Gallery are now open to the public, with separate timed-entry passes required for both buildings. Gamin, 1930 , Bronze 16.75 x 6 x 3.5" Augusta Christine Fells was born in (b. February 29, 1892 - d. March 29, 1962) Green Cove Springs, Florida the seventh child of fourteen children born to Cornelia and Edward Fells. Plaster painted light brown, circa 1929. Gamin: A Sculpture by Augusta Savage Jacksonville, Fla. – The Cummer Museum of Art & Gardens acquires Gamin, a painted plaster sculpture by Augusta Savage (1892-1962), one of twentieth-century America’s most prolific and influential sculptors. Born Augusta Christine Fells in Green Cove Springs, Florida, Savage began sculpting animals and other small figures as a child. On the strength of these works and especially the poignant Gamin (1929)—a portrait bust … Augusta Savage est née Augusta Christine Fells le 29 février 1892 à Green Cove Springs, en Floride. The balance Gamin strikes between its classical form and the subject's casual demeanor won Savage much praise. Watch . She worked for equal rights for African Americans in the arts. It survives only in the form of souvenir replicas like the one shown here. Lot 17: Augusta Savage, 1892-1962, Gamin. Augusta Savage (1892–1962) Gwendolyn Knight, 1934–35, recast 2001 Bronze, 18½ x 8½ x 9 in. Bids will begin at USD 3,400 against a presale estimate of $7,000 to $8,000. Cummer Museum of Art & Gardens, Jacksonville, Florida, Purchased with funds from the Morton R. Hirschberg Bequest, AP.2013.1.1 Public domain in practice . . "Gamin" is a painted plaster piece and "Diving Boy" is a bronze work, both by Augusta Savage, a Green Cove Springs native associated with the … Artiste : Augusta Savage (américain, 1892 - 1962) Titre : Gamin., vers 1929 Support : Plaster painted light brown Taille : 22,9 x 14,6 x 11,1 cm. With both the artist's signature and name incised, verso. Augusta Savage meurt en 1962 à l’âge de 70 ans, après une fin de carrière en tant que professeur d’art – d’une nouvelle génération d’artistes afro-américains qui ont su faire passer la mémoire de la sculptrice à la postérité, malgré le peu d’œuvres identifiées arrivées jusqu’à nous. AUGUSTA SAVAGE (1892 - 1962) Gamin. Related Text; Provenance; Curatorial Summary . close. 1929 Augusta Savage "Gamin" Sculpture. Courtesy of the Cummer Museum of Art & Gardens, Jacksonville, Florida. “Gamin” earned her a Julius Rosenwald fellowship in 1929 to journey to Paris, which had develop into a refuge for Black artists, together with the painter Palmer Hayden and the sculptor Nancy Elizabeth Prophet. Watch . Browse upcoming auctions and create alerts for artworks you are interested in. In 1915 she moved with her family to West Palm Beach where she exhibited her works at the County Fair, earning a total of $175. Retrouvez les œuvres d’art en vente et toutes les informations sur Augusta Savage (américain, 1892-1962). 1929, painted plaster, Smithsonian American Art Museum, Gift of Benjamin and Olya Margolin . 1892) was born in Green Cove Springs, Florida, and was one of 14 children. All public programs are online only, on-site public tours and events are currently suspended. in bronze and the space to store it. This sculpture is also important because it depicts a Black youth in a humane way, challenging the visual culture of the period that presented African American children as dirty and ragtag. The Museum purchased Gamin, which will be on permanent display in the Helen Murchison and Edward W. Lane, Jr. Gallery, with funds from the Morton … Auction Date: Feb 06, 2021 Estimate: $20,000 - $30,000 Description: Augusta Savage 1892-1962 Gamin c. 1929 plaster with bronze patina 9 inches high titled signed with artist’s script signature verso An exceptional example of this image including both signatures.

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