billie holiday summertime

Tracks of this song are recorded during session(s): No: Date Type Time Matrix: Label Location Band/Occasion; 1: 1936-Jul-10. The recording opens with Bloom’s angular composition “Nearly Summertime” played in unison by saxophone and trumpet. Sidney Bechet’s version of “Summertime” is one of the great recordings in jazz history. many wonderful versions of “Summertime”, I’ve left out many of my favorites, Après que son père, guitariste de jazz, ait quitté le foyer, la jeune Eleanora part s’installer à New-York avec sa mère, Sadie Fagan, en 1928. [SORTIE LIVRE] Le génie des Modernes, la musique au défi du XXIe siècle, Les Promenades Musicales du Pays d'Auge, du 17 juillet au 8 août 2021, Rencontres Musicales de Vézelay du 19 au 22 août 2021, [PARTENARIAT] Association Française des Orchestres : Concerts en ligne mai 2021, [SORTIE CD] Strauss - Nelson Goerner, Orchestre Philharmonique de Radio France, Mikko Franck, [SORTIE CD] Schönberg, Brahms, Zemlinsky : Poems - Trio Arcadis, Fanny Ardant, [SORTIE CD] Orgues de Sicile - Perrine Devillers [...] Jérôme Van Waerbeke, Arnaud De Pasquale, {"xtn2":2,"xtpage":"Emissions::1936_conges_enchantes::Diffusions::diffusion_-_Summertime_Billie_Holiday","x4":7,"x5":"[1936_conges_enchantes]","x6":"","x7":"[Summertime_Billie_Holiday]","x10":"20161102","x11":"20161102","x12":"[France_musique]","x14":"[texte|audio|video]","x15":"","x16":"[7ae188df13064f1afd2f6b0132b7d8f9a408d467]","xt_multc":"","xt_an":"","xt_ac":"","xt_mtcl":"","xt_npg":"","atinternet_share":"Partages::1936_conges_enchantes::1936_conges_enchantes_-_Summertime_Billie_Holiday","atinternet_podcast":"Podcasts::1936_conges_enchantes::Page_Diffusion"}, {"kirby":{"url":"https:\/\/kirby.radiofrance.fr","source":"FRANCE_MUSIQUE_WEB","player":{"is_active":false},"page_view":{"is_active":true,"label":"page_view"},"element_click":{"is_active":false,"label":"element_click","matrix_element_id":{"recommendation":"musique_reco"}}},"path":"%2Femissions%2F1936-conges-enchantes%2Fsummertime-billie-holiday-6664","stationId":"4","model":"expression"}, « Aimez-vous les moules marinières », Damia, « Puisque vous partez en voyage », Jean Sablon et Mireille. Das Wiegenlied Summertime war 1961). When the rhythm section enters two beats later, the effect is complete, with Elvin Jones’ slashing rhythms, Steve Davis’ propulsive bass, and McCoy Tyner’s syncopated quartal harmonies. 59 min. [APPEL À CANDIDATURES] Devenez critique musical pour La Tribune des auditeurs le 30 juin 2021 ! This recording was made for Creed Taylor’s CTI label, which endured many critical brickbats for its liberal mixture of pop and jazz elements. In the theme statement and his ensuing solo, Garner uses triplet patterns both as further contrast to the introduction and to add a sassy quality to his interpretation. Billie Holiday, née Eleanora Fagan, est confrontée dès ses jeunes années à la drogue, la prostitution et la violence. Their version of “Summertime”, which kicks off the Atlantic LP, starts with a highly rhythmic duet between the nearly-slapped bass of Charlie Saunders and the tight snare of Rufus “Speedy” Jones, and things just build from there. While doubtlessly shortened for recording time considerations, it still makes an effective contrast to the sinuous Garner strut tempo that follows. Erroll Garner’s Columbia version of “Summertime” sounds like a playful romp, but there is a lot of musical substance present below the surface. Summertime is found on the album Billie Holiday: The Legacy Box 1933-1958 . 2009. He stopped playing by 1949, but owned several bands in the Miami area for the next few decades. While the harmony remains Thornhill-esque, the overall style turns into straight-ahead bebop. Billie Holiday was around 21 years old when her first singled charted. A year after the opera’s premiere, a 21 year old jazz singer called Billie Holiday recorded a version of ‘Summertime’; the first cover of the song that would reach the US charts. Billie was from Harlem, the home of New York’s black community, which at the time was bursting with creativity. While not the first “Porgy & Bess” concept album, Ella & Louis’ version is one of the best. Summertime and the livin' is easy / Fish are jumpin' and the cotton is high / Oh, your daddy's rich.. (paroles de la chanson Summertime – BILLIE HOLIDAY) “Summertime” is a rarity among jazz standards in that it was taken directly from an opera and suffered no changes in melody and form in moving from the classical idiom to the popular. As a young teenager, Holiday started singing in nightclubs in Harlem. Kenny Dorham follows in Bird’s footsteps, moving away from the melody after a few bars, and creating a majestic solo in the second chorus. Il est repris avec succès par de nombreux interprètes, dont en particulier Sidney Bechet, Billie Holiday, Louis Armstrong en duo avec Ella Fitzgerald ou encore Miles Davis. Summertime, c’est une berceuse, chantée par le personnage de Clara pour apaiser son bébé. JazzHistoryOnline.com. PARKER (Café Society, NYC; June or July 1950). En cliquant sur « je m’abonne », j’accepte que les données recueillies par Radio France soient destinées à l’envoi par courrier électronique de contenus et d'informations relatifs aux programmes. Until The Real Thing Comes Along - Fats Waller #52 in 1936. Summertime and the livin' is easy Fish are jumpin' and the cotton is fine Oh your Daddy's rich and your ma is good lookin' So hush little baby, don't you cry One of these mornings You're goin' to rise up singing Then you'll spread your wings And you'll take the sky But till that morning There's a nothin' can harm you With daddy and mammy standin' by And it’s all so quiet! La musique de Summertime (from Porgy And Bess) est disponible ci-dessous. Evans uses a gently swinging riff that easily adapts to the harmonic changes of the song, while in front, Davis plays a solo that strays off the melody more than you think, but always stays connected with the contour of the original tune. À la fin des années 1930, on compte peu de reprises : Bob Crosby, Billie Holiday (1936), Sidney Bechet (1939). Song Title: Summertime: Author(s): Gershwin/Gershwin/Heyward: Session(s): 2 [Songtitle] tag when song info is new or updated. So hush little baby, don't you cry. The recording date above is rather misleading, as it is the premiere performance of an arrangement written by Gunther Schuller in 1949. Found on more albums: The Early Classics. The Jazz Discography in 2005 listed 1,161 official releases, ranking the song fourth among jazz standards. Notice that Fitzgerald rarely opens her eyes, depending on her slow, deliberate delivery to connect with the audience. Summertime Lyrics. SHELLY MANNE & HIS MEN (Black Hawk, San Francisco; Podcast RSS. Le Festival des Quatuors à cordes - du 20 mai au 10 juin 2021. Speaking of dynamics, be sure to catch Fitzgerald’s subtle crescendo on the phrase that begins with till that morning. One, et découvrez la jaquette, les paroles et des artistes similaires. En cliquant sur le bouton "Chansons suivantes", explorez la suite du répertoire de Billie Holiday composé de 1052 chansons à écouter gratuitement et en illimité. All rights reserved. home previous next. Next, the rhythm section enters with drum color (Jerry Granelli), a bass solo (Rufus Reid) and a piano vamp (Fred Hersch) in dotted quarter notes which  presages what will come later. The first ever performance of Summertime was sung by American soprano Abbie Mitchell. In the 2018 ENO production of The Gershwins’ Porgy and Bess, ‘Summertime’ was sung by Nadine Benjamin. 1936 – Billie Holiday The intensity doesn’t let up until the end of the theme, when the horns suddenly dissipate and Hersch plays a rippling triplet figure that might signal a much-needed summer rainstorm. or May, 1988). The coda that results retains the intensity of what came before. The gradual decrescendo from there to the end doesn’t work nearly as well as the crescendo that came before, but the fade-out (usually the bane of jazz fans and critics) actually gives this arrangement a needed balance. On the second time through the song, Jefferson takes great liberties with the lyric (for example, “Fish are jumpin’ about on the lake, flop, flop,flop, tryin’ to give the fishermen a break”) and strongly accents the asides (the “flops” above). in 1936. At the outset of her career, she spelled her last name "Halliday", her father's birth surname, but eventually chan… There is no better example of this than “Summertime”. With Teddy Bunn providing single-string commentary on his guitar behind Bechet’s soprano, it is as if Bechet and Bunn were playing the parts of Bessie Smith and Louis Armstrong from a classic blues recording. billie holiday (nyc; july 10, 1936) Billie Holiday was not the first jazz artist to record “Summertime” ( Bob Crosby recorded a transcription version five months earlier) but hers was the first recorded for 78s and it probably did more than any other version to establish the song as … Par Nathalie Piolé. As originally presented in the opera, “Summertime” is a lullaby (a fact seemingly forgotten in the full-voiced performances of certain divas). August 4, 1958). recordings, along with YouTube clips if available, to jazzhistoryonline@nullgmail.com. and (I’m sure) some of yours. Nous avons sélectionnés pour vous les 50 meilleures chansons de Billie Holiday à écouter gratuitement. This amazing clip was included in the Ella Fitzgerald documentary, “Something to Live For”, and to my ears, it is the single finest example of live Ella. As on “My Favorite Things” (the title tune for the album from which this performance comes) Coltrane and Tyner have reduced “Summertime” to a minimal modal harmonic base and their performances focus on building emotional intensity. Even when Miles builds the intensity of his solo, he never loses sight of the overall context of the piece. From the first note of this recording, you can tell that John Coltrane’s version of “Summertime” will be unique. One of these mornings, you're goin' to rise up singin'. Vous recherchez une œuvre entendue sur une Webradio ? Podcast iTunes. “Summertime” opens the first album and it sets the stage for the five-plus hours of remarkable music to follow. Interestingly, it is sung in the same key as John Coltrane’s ground-breaking version—D minor—and like Coltrane, Jefferson seems interested in stripping away all the sentimentality of the original song. Le rythme est lourd et caniculaire comme c’est le cas en plein mois d'août, Billie Holiday a alors 21 ans et choisit d'adapter le morceau Summertime : elle est ainsi la première à en faire un enregistrement jazz. The tempo is medium fast and the performance is quite aggressive. MODERN JAZZ QUARTET (Lincoln Center, NYC; November 25, And this passage, which seems completely unnecessary, probably did more to take this chart out of contention for recording by Davis than anything else. Guinness World Records lists the website's 2017 figure of 67,591 as the world record total. Malgré un destin difficile, elle a su s’imposer et mener sa carrière de chanteuse. The married vocal team of Jackie Cain and Roy Kral stick to Brubeck’s song throughout, and in a surprising turn, they overdub their voices in an apparent homage to Gene Puerling and his revolutionary vocal group, the Singers Unlimited (a 4-member group which created vocal layers of up to 27 voices through overdubbing). Présentation Summertime - Billie Holiday - CD Album. Then the mood breaks with a double-time chorus (with another double-time passage placed on top!). Figure de référence incontournable, Billie Holiday ouvre la voie. Ferguson’s trumpet solo continues the upward climb until the climax of the arrangement where trumpet and band exchange improvised ideas and written shout chorus passages. Billie Holiday : chanteuse éternelle du 05 avril 2015 par en replay sur France Inter. summertime. As the performance intensifies bassist Sam Jones and drummer Bobby Durham bear down on the time, inspiring Peterson into a lengthy shout chorus in block chords. There is the arrangement, which subtly echoes other themes from “Porgy and Bess” in the introduction, the delicate cymbals and bells from percussionist Connie Kay, the sturdy and rich bass tones of Percy Heath, the glow of Milt Jackson’s vibraharp, the crystalline (yet still bluesy) piano of John Lewis, the finely-crafted melodic interplay between Jackson and Lewis, and the expertly-controlled dynamics of the group. After another chorus of straight soloing, the pianist launches into another shout chorus, which suddenly diminishes to set the stage for the final abbreviated theme statement. 1936 – Billie Holiday . The resulting albums are beloved in the jazz community because the musicians played in peak form throughout and the arrangements they played were fresh takes on familiar material. A year after the opera’s premiere, a 21 year old jazz singer called Billie Holiday recorded a version of ‘Summertime’; the first cover of the song that would reach the US charts. Écoutez de la musique en streaming sans publicité ou achetez des CDs et MP3 maintenant sur Amazon.fr. Recorded on what was billed as their “Last Concert” (and thankfully, wasn’t) the Modern Jazz Quartet’s understated version of the Gershwin standard includes many of the group’s finest elements. At the end, all that is left of Gershwin’s original is the opening phrase, which Garner plays over the final held chord. Pour afficher ce contenu Youtube, vous devez accepter les cookies. Here are brief summaries of 17 versions of the standard, with embedded YouTube recordings for each. Summertime (Saison d'été, en anglais) est un air d'opéra-standard de jazz-jazz blues du Great American Songbook, composé par George Gershwin, avec des paroles de DuBose Heyward et Ira Gershwin, pour leur opéra américain en trois actes Porgy and Bess de 1935 (interprété, et enregistré en single par Abbie Mitchell). Gershwin cominciò a comporre la canzone nel dicembre 1933, nell'intento di creare uno spiritual nello stile della musica folk afroamericana del periodo. I’m sure that more than a few bebop fans will be surprised to find this rare broadcast version of Charlie Parker playing “Summertime” instead of the well-known version with strings. But there are times when you'll have a Billie Holiday record on … It was written for the Miles Davis Nonet, but never recorded or broadcast by that group. JOHN COLTRANE QUARTET (NYC; October 24, 1960). (Boston; March One of the many wonders in the Miles Davis/Gil Evans album of “Porgy & Bess” is how Evans was able to remain faithful to the spirit of Gershwin’s opera without using the original orchestrations. Regardez gratuitement la vidéo de Summertime par Billie Holiday sur l'album Feel the Blues, et découvrez la jaquette, les paroles et des artistes similaires. Even his solo is over an adapted harmonic sequence that is primarily—but not entirely—“Summertime”. Ce morceau devient rapidement un standard dont Billie en enregistre une des versions les plus mémorables. Écoutez gratuitement Summertime (US) par Billie Holiday sur l'album American Anthems, Vol. Summertime by Billie Holiday. Regardez gratuitement la vidéo de Summertime par Billie Holiday sur l'album Feel the Blues, et découvrez la jaquette, les paroles et des artistes similaires. The MJQ was always fortunate to have Atlantic’s finest recording engineers on call, and “The Last Concert” LP still astounds with its exquisite fidelity. Billie Holiday was not the first jazz artist to record “Summertime” (Bob Crosby recorded a transcription version five months earlier) but hers was the first recorded for 78s and it probably did more than any other version to establish the song as a potential jazz standard. Lundi 22 juin 2020. Pop # 4 . The lyrics of this tender lullaby must have struck deep in her heart, and on this extraordinary concert performance, she was able to transmit those feelings to a foreign audience. See if Billie made the list of most famous people with first name Billie. The theme statement is barely underway before Peterson starts to deviate from the melody with his signature runs and deeply soulful harmonies. Billie Holiday. Bechet takes the Gershwin song’s 16-bar form and simple harmonic structure and treats it like an extension of the 12-bar blues. MILES DAVIS WITH GIL EVANS & HIS ORCHESTRA (NYC: Summertime” is unusual in Jefferson’s repertoire in that it does not appear to stem from an instrumental solo; rather, it is Jefferson’s loose interpretation of the Gershwin standard. Antoine Guerber (4/5) : "C'est vraiment un bonheur de faire des choix que personne d'autre n'a faits", Une application pour collecter les chants d’oiseaux, Insomnia : Melba Liston, Léon Phal, Gil Scott-Heron, Fats Waller, Herbie Hancock and more, Les vents du Soudan : Natalia Mateo, Robert Glasper, Gary Brunton, Nicola Conte and more, France Musique en direct de La Folle Journée de Nantes 2021 les 29 et 30 mai, « Airs d’été, la fête estivale des chœurs amateurs », un flash-mob de chant choral national le 3 juillet 2021, [CONCERTS] La Folle Nuit Bach - Musée en musique, Musée de Grenoble, Vibre ! C’est plus de 80 ans d’histoire de la musique que l’on peut résumer avec l’évolution de ces reprises, la première d’entre elle étant celle de Billie Holiday. The performance dates from early in the Quartet’s existence, so it is not as intense as later recordings, but the recording shows that the group already knew the direction in which it would travel. Billie Holiday (Eleanora Fagan) Paroles de « Summertime »: Summertime / and the livin' is easy. Summertime ouvre l'oeuvre et se démarque du reste de l'opéra qui fait une large place au blues et aux spirituals. Gradually, Kenny Wheeler, Julian Priester and Bloom join into the ensemble before Bloom launches an ascending scale to introduce the Gershwin melody, set in 6/4 time. Chansons suivantes; Le Top 50 des chansons de Billie Holiday : n°1 à 50 Infos. This put Parker in the role of an operatic diva with little to do but play the song as written. However, this album “Time and Love” was certainly an artistic success, with Jackie and Roy providing their technically perfect vocals, superb guest artists, and an all-star orchestra arranged and conducted by Don Sebesky. Connor’s opening theme statement sounds defiant and rhythmically sure, holding back just slightly in the opening chorus and building as the trombones, trumpets and saxes all join in with riffs that add to the growing intensity. Bechet solos throughout the four-minute recording (certainly one of the longest jazz solos recorded to that time), utilizing much of his unique musical vocabulary, including rasps, growls and various speeds of vibrato. After a subtle key change, Louis takes a solo vocal chorus. Sie basiert auf dem 1924 entstandenen Roman Porgy von DuBose Heyward, den George Gershwin 1926 erstmals gelesen hatte. mber 1959, Lester Koenig had the good sense to record Shelly Manne & His Men for four nights at San Francisco’s Blackhawk. For any listener of the time who had heard “Summertime” in its operatic version, Holiday’s rendition was a shock—raw and dirty with the rasp of Bunny Berigan’s trumpet echoed in Holiday’s voice. Then suddenly, the volume comes back down for Connor’s return. When the trio drops out for the last line, the intensity remains as Fitzgerald—the consummate professional—sings the line with a perfect balance of melody and invention. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Billie Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Banzzaï . Boyd Raeburn’s version was arranged by George Williams, and while many members of the band were allied with bebop (including Dizzy Gillespie, Al Cohn, Serge Chaloff and Oscar Pettiford) the arrangement reflects the long-standing swing style. Retrouvez l'émission en réécoute gratuite et abonnez-vous au podcast ! She had chart topping singles covering a span of 10 years. It's a Sin to Tell a Lie - Fats Waller #9 in 1936. Figure de référence incontournable, Billie Holiday ouvre la voie. Desmond is featured throughout the recording, and except for the introduction, he constantly refers back to Gershwin. Summertime by Billie Holiday # 4 Pop Charts in 1936. This performance from about 9 months later may have been sparked by an audience request, but what Parker and his quintet do with the material is quite remarkable. CHRIS CONNOR & MAYNARD FERGUSON (NYC; January 23, Create an account with SongMeanings to post comments, submit lyrics, and more. Billie Holiday first charted in 1936. Her last appearance in the charts was 1945. After the moody introduction, alto saxophonist Johnny Bothwell plays the theme with a Johnny Hodges-inspired tone. Bothwell is now virtually forgotten, but he was a rising jazz star in the 1940s, twice landing the fourth-place spot in Downbeat popularity polls. Without any introduction, Coltrane kicks off the tune in D minor. du lundi au vendredi à 19h Jazz. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Lecture via … one for Ferguson’s label, Roulette, and the other for Connor’s label, Atlantic, SINGER’S SURVIVAL GUIDE TO TOURING (by Elisabeth Lohninger). While several of the songs from the score have been recorded by jazz artists, “Summertime” is the most recorded, with over 2,000 different recordings listed in Tom Lord’s “The Jazz Discography”. Découvrez Summertime de Billie Holiday sur Amazon Music. Le site spécialisé Summertime Connection, qui s’est donné pour mission de toutes les recenser a compté plus de 70 000 enregistrements. Garner’s mastery of dynamics is on full display with the pianist bringing the group’s volume up and down through his touch at the keyboard. OSCAR PETERSON (Villigen, Germany; April 1968). Tenor saxophonist Richie Kamuca’s warm tone and flowery ideas contrast Gordon’s, and Feldman builds and releases tension in his solo without sacrificing the overall mood. Part of the problem was the string arrangement, which was basically a reduced scoring of Gershwin’s original setting. Dénichez-le dans notre catégorie CD Album et achetez-le sans plus tarder au meilleur prix. The trumpet solo which follows Bothwell is played by “Little Benny” Harris, who sticks close to the melody but enriches the performance with his warm tone. Il faudra du temps avant que les artistes jazz s’emparent du titre Summertime, relativement inclassable (est-ce une berceuse, une chanson populaire américaine, un air d’opéra, ou encore un spiritual ?). Partager Copier le … September 22, 1959). Holiday jettisons nearly the entire melody, flattening out the melodic contour to fit her voice and her artistic sense, and behind her, Berigan and Artie Shaw jam away, sensing even then that this new Gershwin song with its easy harmonic sequence would be a natural for the jazz repertoire. Nicknamed Lady Day by her loyal friend … read more View full artist profile View credits, reviews, tracks and shop for the 2005 CD release of "Summertime - The Very Best Of Billie Holiday" on Discogs. She took her professional pseudonym from Billie Dove, an actress she admired, and Clarence Halliday, her probable father. “The Main Man” was one of Jefferson’s finest albums, featuring definitive versions of classics like “Jeannine” & “Moody’s Mood For Love”. It was an audacious move: none of the sidemen were particularly well-known, and the band was in transition, using Victor Feldman as a temporary substitute for Russ Freeman. Billie was from Harlem, the home of New York’s black community, which at the time was bursting with creativity. Both were in top vocal form at the time of the recording, and while Louis’ trumpet chops were not as strong as they had been in years past, he could still perform stunning solos. Eleanora Harris Fagan naît en 1915. Please e-mail your list of favorite “Summertime” Auteur : Billie Holiday; Label : Biem; Sortie : 01/01/1997; Nombre de CD : 1; Recherches associées. Bunn’s responses are almost all from the blues vernacular, except in one spot where he quotes the familiar counter-melody from the original opera score. Billie Holiday qui ouvre en guise de générique cette belle émission que nous lui consacrons. Still, for all it achieves, it is an amazing effort from the very talented Mr. Schuller. The coda comes all too soon, and to my ears, Parker cuts off Dorham before he can launch into the standard (and clichéd) “Country Gardens” ending. ORANGE THEN BLUE, GUNTHER SCHULLER, COND. Billie Holiday (Eleanora Fagan Gough, Philadelphia, PA, April 7, 1915 – New York City, NY, July 17, 1959) was an American jazz singer and songwriter. Billie Holiday est une chanteuse américaine de blues et de jazz née le 7 avril 1915 à Philadelphie et décédée le 17 juillet 1959 à New York. Programmation musicale. Billie, dans sa version, choisit de faire osciller douce mélancolie et félicité d'un bel été, où les poissons bondissent et le coton est haut, et où la vie est douce et facile. Votre artiste ou groupe préféré vient de sortir un nouvel album de musique ? De nombreuses autres versions sont créées par la suite, on en compte plus de 70 000... mais celle de Billie … However, I’ve always been disappointed with the strings version because Parker never improvised on the tune. Statistics for the number of recordings of "Summertime" vary by source; while older data is restricted to commercial releases, newer sources may include versions self-published online. Gil Evans famously described the Claude Thornhill sound (which he helped create), as sound that “hung like a cloud” and Schuller’s arrangement opens with hypnotic see-sawing chords that create the same effect. Billie, dans sa version, choisit de faire osciller douce mélancolie et félicité d'un bel été, où les poissons bondissent et le coton est haut, et où la vie est douce et facile. Loading Video... Take My Heart - Eddy Duchin #30 in 1936. Contactez-nous. Billie Holiday: The Legacy Box 1933-1958. Starting with Monty Budwig‘s double-stops and Manne’s light cymbal touches, trumpeter Joe Gordon intones the theme while the rhythm section creates a mood rather than states the beat. Was Ella Fitzgerald The First Lady of Song? Behind the melody, the horns play long, hypnotic chords at half the speed of the piano vamp, and then when Bloom takes over for her solo, she leads with another ascending scale based on the same rhythmic pattern. Even with Al Haig playing some of the original Gershwin figures behind him, Parker liberates himself from the song with dramatic improvised lines. Billie Holiday Discography. Content copyright 2011-2020. De nombreuses autres versions sont créées par la suite, on en compte plus de 70 000... mais celle de Billie reste intemporelle et n’a pas pris une ride.

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