cassina gio ponti

[/Separation /PANTONE#20Cool#20Gray#206#20U 9 0 R << Please note, the content you want is not available for your country. We use cookies to ensure that we give you the best experience on our website. endobj alitalia siÈge À new york (666 fifth avenue), projet par gio ponti. Architetto, designer e artista, Gio Ponti (Milano 1891-1979) si laurea a Milano nel 1921 e si associa inizialmente con Emilio Lancia e Mino Fiocchi dal 1927 al 1933. >> His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek “Superleggera” chair, produced by Cassina starting in 1957. Bird & Bird hosts a Product Design Law Challenge: Design Right….or Wrong? endobj /GS0 7 0 R Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. €1,180.00. However, leaving aside the pure contractual issues, the aforementioned decision is relevant as the Court recognised the chair as being a copyright protected design work. Gio Ponti Armchairs Model 803 for Cassina, Italy, 1954 - New green velvet upholstery. Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Columbo and others. Privacy & Cookies Beautiful original condition whit original label. 80 cm x 75 cm x 81.5 H... Gio Ponti for Cassina pair of armchairs model 803 with sky blue velvet upholstered back and seat, faux leather sculptural arms, and rosewood legs, Italy, circa 1954. /op false Ponti’s creativity can be seen in the many details including the rising open armrests, mini... Gio Ponti Italian Midcentury Armchairs Model N. 516 Cassina, 1956. /Matrix [1 0 0 1 0 0] Fully restored,... Category Vintage 1950s Italian Mid-Century Modern Armchairs. Designed by Gio Ponti for Cassina. The experience and the crafts capabilities of Cassina’s carpenters were put to the test in addressing the challenge of lightening the chair frame -- the ultimate outcome being the inimitable slimline Superleggera chair -- concentrating on its essential lines while respecting its resistance and stability. 10 of the Italian Copyright Law, for a design to be protected under copyright law. Latest developments to Design Law discussed at ‘Design law on the move’ Union IP Round Table Program on 8 June 2018. << (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Condition: Good vintage condition, minor... Armchair Model 829 by Gio Ponti, Cassina Italy, 1960. This set of chairs is designed by Gio Ponti and manufactured by Cassina. Protagonista dell’arredo contemporaneo internazionale, Cassina produce sedie, tavoli, imbottiti, letti, contenitori. /Type /ExtGState Beautiful original condition whit original label. /ca 1 Pair of Armchairs, Mod. Ponti took this traditional form and, working in close collaboration with Cassina's master craftsmen, honed it to its bare essentials. << /Subtype /Image /WhitePoint [0.964203 1 0.824905] Ponti designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. A return for this item may be initiated within 14 days of delivery. Materials. The design of the Superleggera (the Italian term for 'super-lightweight') chair was inspired by the traditional vernacular chairs produced in the Ligurian town of Chiavari. Riprodotta ininterrottamente dal 1957, la Superleggera rappresenta una sintesi esclusiva tra la ricerca di Gio Ponti e la sperimentazione avanzata di Cassina, divenendo icona indiscussa di modernità e raffinatezza artigianale. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their “Architetturra” series, which feature case pieces covered in images of building interiors and facades. In 1928, Ponti started Domus, an architecture and design magazine with a mission to energize Italian architecture, interior design, and decorative arts. I am a Trainee Associate based in our Milan office. Wear consistent with age and use. Bergamo manufacturer, Italy, 1950s. Di Sorrento 1960, architecture Gio Ponti >> /FunctionType 2 The dispute started when, in this year’s Milan design week, Molteni&C and Cassina both presented the same Gio Ponti chair, each claiming exclusive rights to its design. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. /ca 1 Una forma chiara, colta, versatile, in grado di soddisfare un’ampia gamma di esigenze e scenari. stream Pair of armchairs model 516 by Gio Ponti for Cassina, 1950s. The chairs have a few... Gio Ponti for Cassina Pair of Walnut Armchairs Model 516. 11 0 obj Gio Ponti armchair manufactured by Cassina in the 1950s. /K -1 1891-1979 イタリアの建築家、デザイナー. /op false An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian Modernism. Gio Ponti Armchairs Model 803 for Cassina, Italy, 1954 - New green velvet upholstery. In 1928, Ponti started Domus, an architecture and design magazine with a mission to energize Italian architecture, interior design, and decorative arts. >> Gio Ponti for Cassina pair of armchairs model 803 with sky blue velvet upholstered back and seat, faux leather sculptural arms, and rosewood legs, Italy, circa 1954. Architetto, designer e artista, Gio Ponti (Milano 1891-1979) si laurea a Milano nel 1921 e si associa inizialmente con Emilio Lancia e Mino Fiocchi dal 1927 al 1933. The Court of Milan sided with Molteni&C and Gio Ponti’s heirs, confirming copyright protection in the chair. /Columns 1208 These experienced sellers undergo a comprehensive evaluation by our team of in-house experts. According to Italian case law and legal doctrine, “creative character” refers to the personal creative contribution of the author (which is not a high standard). Also, in the present case, the Judge considered that the prior works that would anticipate Ponti’s chair “mainly focus on single elements of the designs, without considering the general impression of the product, which without any doubt possesses the intrinsic value of creative innovation“. From the archives of Side Gallery, Barcelona /AIS false Direzione e coordinamento di Haworth Italy Holding S.r.l. Pair of high back armchairs by Gio Ponti, 1950s, new curry yellow upholstery. x��w6PH.�2�3T(N���w�Ӌ��,� ML���-L�� \C=Cc��T�4. Quick view Leggera 646 - Chair with upholstered seat. 2 no. >> Legal Notices. /SMask /None This site is protected by reCAPTCHA and the Google. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design. /Width 1208 Rates vary by destination and complexity. D.156.3 Cassina 811 The dispute started when, […] endobj Fully restored,... Gio Ponti Armchairs Model 803 for Cassina, Italy, 1954. /BitsPerComponent 1 Hela sortimentet från Gio Ponti på Nordiska Galleriet. Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Giovanni "Gio" Ponti (18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher. The above guidelines have been repeatedly applied and confirmed by the Italian Courts. /AIS false As to “artistic value”, this second requirement is normally more challenging, as the Italian Courts have restrictively interpreted it as being a “higher standard” that the design work has to meet in order to also be protected under copyright law. The Court of Milan sided with Molteni&C and Gio Ponti’s heirs, confirming copyright protection in the chair. Italy, 1955 It must be noted that the decision in this dispute is not a definitive ruling, being the result of preliminary proceedings, and that it is very likely that Cassina will file – if it has not already done so – an appeal before the Court of Milan. An icon of design and what has been dubbed MedaMade crafts mastery, the Leggera -- its lines clean-cut refined, and versatile -- adapts effortlessly to a variety of requirements and settings. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design. Make sure you know where you stand. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. /Length 51861 Reupholstered. Condition: Good vintage condition, minor... Gio Ponti for Cassina pair of armchairs model 803 with sky blue velvet upholstered back and seat, faux leather sculptural arms, and rosewood legs, Italy, circa 1954. alitalia-hauptquartier in new york (666 fifth avenue), projekt von gio ponti. A wood chair, par excellence, the Leggera marks one of the key points of the relationship, both in terms of design and production, which started in the 1950s between Gio Ponti, Cesare Cassina, and the Cassina company’s artisans. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Gio Ponti for Cassina, pair of armchairs model 516, walnut, black and white balder fabric, Cassina, Italy, 1955. /BlackPoint [0 0 0] /OP false Please note, the content you want is not available for your country. /SA true 699 Superleggera chair by Gio Ponti for Cassina. The chairs have a few... Gio Ponti Pair of 'Model 516' Lounge Chairs for Cassina. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their “Architetturra” series, which feature case pieces covered in images of building interiors and facades. Al Ponti architetto si deve il simbolo della Milano moderna, il grattacielo Pirelli, progettato nel 1956 con Fornaroli, Rosselli e Nervi. Bibliography... Gio Ponti Pair of Armchairs, Model "803" Manufactured by Cassina Italy, 1955. Join us for our Product Design Law Challenge – Design Right….or Wrong? Adjustable seat which is able to be tilted >> /Filter /CCITTFaxDecode Full restored and newly upholster in cotton velvet rust with rust satin sides. Partecipa da protagonista e sostiene le Biennali di Monza, poi Triennali di Milano, il premio Compasso d’oro e l’ADI (Associazione per il Disegno Industriale). Un’icona del design e della maestria MedaMade. In original condition with ebonized frame, green leather covering and brass feet. Featured Collection: Lighting at a Great Value, Association of International Photography Dealers, International Fine Print Dealers Association. Manufactured by Cassina 62 Capitale Sociale € 15.975.422,00 REA N. 1311974 CCIAA di Monza e Brianza Ufficio del Registro Imprese di Monza e Brianza Partita IVA 00976180968 Società con Socio Unico. Pair of Italian master architect Gio Ponti black lacquered walnut side tables with mirrored glass tops by Pietro... A rare and singularly elegant model 1101 cocktail table by Gio Ponti for Singer & Sons, Italy, early 1950s. endstream /CS0 8 0 R Two well-known Italian furniture design companies have been fighting over who owns the rights to a particular chair designed by Gio Ponti, called D.156.3 by Molteni&C and 811 by Cassina. Measurements e collabora oggi con i più importanti designer italiani ed internazionali. By order issued on 9 May 2017, the Court of Milan fully confirmed the previous ex parte order. Ponti designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Con la fondazione della rivista Domus nel 1928 (che, salvo brevi interruzioni, dirigerà fino alla morte), Ponti contribuisce intensamente al rinnovamento della produzione italiana del settore, cui dà nuovi impulsi. 14 0 obj stream /BM /Multiply In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. Pair of Gio Ponti armchairs, model 512, Italy, new upholstery. A highlight of Cassina’s catalogue since 1957, the Superleggera represents the perfect outcome between the creative imagination of the architect Gio Ponti, and Cassina’s manufacturing excellence, an undisputed icon that is both of-the-moment and pays tribute to traditional artisanal skills. Gio Ponti armchair manufactured by Cassina in the 1950s. /ExtGState << /OPM 1 Gio Ponti 12-arm brass and glass chandelier. >> About Us /Height 900 Pair of armchairs model 516 by Gio Ponti for Cassina, 1950s. /DecodeParms << In this respect, in a recent decision[1], the Italian Supreme Court identified a number of criteria, intended to be as objective as possible, to which a Judge may refer in order to verify compliance with the second requirement of “artistic value”: (a) the recognition of the artistic qualities of the product at issue by cultural and institutional entities, the publication on sectorial design reviews, the exposure in museums and art exhibitions; (b) the circumstances in which the design work is commercialised within the art market or within the commercial market having a acquired a particular significant value; and (c) the circumstances, to be prudently evaluated, demonstrating that the work has been designed by a famous artist. /Subtype /Form A wood chair, par excellence, the Leggera marks one of the key points of the relationship, both in terms of design and production, which started in the 1950s between Gio Ponti, Cesare Cassina, and the Cassina company’s artisans. D.156.3 Cassina 811 The dispute started when, […] 803, designed by Gio Ponti and produced by Cassina, Italy, 1954. Nel 1927 fonda il Labirinto, con Lancia, Buzzi, Marelli, Venini e Chiesa, per proporre arredi e oggetti di alto livello. /SMask /None Frassino tinto bianco / Ashwood stained white, Frassino tinto fango / Ashwood stained mud, Frassino tinto naturale / Ashwood stained natural, Frassino tinto nero / Ashwood stained black, Frassino tinto petrolio / Ashwood stained petrol, Frassino tinto rosso amaranto / Ashwood stained amaranth red, Direzione e coordinamento di Haworth Italy Holding S.r.l. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. This set of chairs is designed by Gio Ponti and manufactured by Ca... Gio Ponti Armchair for Cassina, Italy, 1950s. /Domain [0 1] The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. /Filter /FlateDecode (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Pair of sculptural walnut armchairs, model 516, designed by Gio Ponti for Cassina in 1955. Home The Court in fact confirmed that D.156.3 meets both the requirements of “creative character” and “artistic value” provided by Art. This order already prevented Cassina from manufacturing, commercialising and promoting the chair it called “811”, and which had therefore been deemed to be in violation of the economic rights relating to Gio Ponti’s original designs, previously belonging to his heirs and now transferred to Molteni&C. An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian Modernism. alitalia headquarters in new york (666 fifth avenue), project by gio ponti. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. ����������RR�m��L�7�F�D�:4��y��m� �v:.��h3���m The Court of Milan sided with Molteni&C and Gio Ponti’s heirs, confirming copyright protection in the chair. Gio Ponti ジオ・ポンティ. Dal 1923 al 1930 è direttore artistico di Richard Ginori. /CA 1 >>] /Range [-128 127 -128 127] << DesignWrites is a news hub brought to you by Bird & Bird's International Intellectual Property Group. /Intent /RelativeColorimetric Walnut, fabric. Request additional images or videos from the seller, Gio Ponti Armchairs Model 803 for Cassina, Italy, 1954. Nel 1957 progetta la celeberrima Superleggera per Cassina, a coronamento di un rapporto di collaborazione lungo e fecondo. Fully restored,... Gio Ponti Armchair for Cassina, Italy, 1950s. Cassina arredamenti, scopri tutti i mobili firmati Gio Ponti. endobj 7 0 obj /N 1 Terms of Use Superb pair of 516 model armchairs designed by Maetstro Gio Ponti for Cassina in 1956. Rates vary by destination and complexity. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. Ponti’s typical furniture forms from the period, such as the wedge-shaped “Distex” chair, are simple, gently angular, and colorful; equally elegant and functional. /ColorSpace << This set of chairs is designed by Gio Ponti and manufactured by Cassina. Two armchairs modell '516' solid walnut. �p /BM /Normal La sedia in legno per eccellenza segna uno dei momenti fondamentali della collaborazione progettuale ed esecutiva nata agli inizi degli anni '50 tra Gio Ponti, Cesare Cassina e gli artigiani dell’azienda. << Superb pair of 516 model armchairs designed by Maetstro Gio Ponti for Cassina in 1956. Dal 1923 al 1930 è direttore artistico di Richard Ginori. In original condition with ebonized frame, green leather covering and brass feet. All’attività progettuale ha affiancato anche quella didattica, insegnando alla Facoltà di Architettura di Milano dal 1936 al 1961. /CA 1 10 0 obj /Type /ExtGState In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Columbo and others. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) /C1 [67.8431 0 -2] Nel 1927 fonda il Labirinto, con Lancia, Buzzi, Marelli, Venini e Chiesa, per proporre arredi e oggetti di alto livello. On one side, Cassina claimed the rights to the chair deriving from its origins dating back to 1956, when it was allegedly “conceived, engineered and produced” by the company “in cooperation” with Ponti; on the other side, Molteni&C argued that it had the exclusive rights to the design, rights purchased in 2010 from Ponti’s heirs who, thereby confirming this position, also participated in the litigation as a joint party with Molteni&C. Gio Ponti rare model 803 version with brass feet armchairs, new light gray marl upholstery. /Type /XObject designed for Hotel Parco di Principi /OP false Molteni&C. Capitale Sociale € 15.975.422,00 REA N. 1311974 CCIAA di Monza e Brianza Ufficio del Registro Imprese di Monza e Brianza Partita IVA 00976180968 Società con Socio Unico.

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